The Documentary Group of the RPS has included a small write-up of my Wine Doors project in the latest issue of their magazine, the Decisive Moment. Also included are two of my MA course peers - Alexandra Prescott and Daniel Simon; both highly talented and creative individuals.
With many thanks to Jo for supplying these images, (and also for getting this show organised to begin with), from the Falmouth Uni Deepwater 2019 Graduate show… not just my image on show but an array from my highly talented peers too…
Very excited to be showing more of the Wine Doors of Florence project in two locations in London - the Wine Place wine bars in Covent Garden and Kensington. This is a collaborative display with Robbin Gheesling, a researcher into the provenance and history of these little historical remnants.
Set up for this long running display was yesterday… the white painted brick walls are the Covent Garden branch.
Rather thrilled that one of my Wine Door images is to be displayed at the Deepwater Graduate Show. This is the first Falmouth Flexible MA Photography Grad show dedicated to the 2018 and 2019 Graduates, of which I fall into the latter group.
The show is to be held in theprintspace Gallery, 74 Kingsland Road, London from the 21st June through to the 2nd July 2019.
A blue-hour panorama taken from the Golden Jubilee Bridge - Cleopatra's Needle and Victoria Embankment on the left, Waterloo Bridge in the middle, with St. Paul's in the distance, round to Festival Pier and Royal Festival Hall on the right.
Photo formed from seven individual photos taken with a 35mm lens, so the image has been heavily cropped to remove an expanse of plain sky and river.
After a little hiatus with the cocktail.collection stream on Instagram, a return with a different approach and style. Rather than, as previously, the images were restricted to a square format, the canvas now is expanded allowing more creativity. The lighting approach, at least initially, is a take on the Old Masters style.
The first three images in this series are below. Each Instagram post has details of the ingredients required to make the specific cocktail.
The Folio Presentation Box containing 14 prints of the Wine Doors of Florence - perfect for framing or a changing clip frame display - is available for purchase direct. Fourteen prints for £100.
The box contains the following images, in addition to a set of cards detailing the location of each and plotting them on a map of Florence.
As part of the Oxfordshire Art Weeks series the Cornerstone Gallery in Didcot selected this autumnal tree photograph to form part of their Woodland exhibition. The exhibition runs until June 2019.
The framed photo is available to purchase at the exhibition.
Having just completed the two year Falmouth Photography MA, thoughts turn to the graduate show this coming June - DeepWater2019. This is the image from the Wine Doors Project I will be exhibiting (we dont have a huge amount of space).
The image, Wine Door Via del Corno, is available from PicFair for a very reasonable price!
Since the exhibition I have received a couple of queries regarding the two large prints displayed on the lectern and the kneeler. The square print, with is superbly detailed textures, was taken on Borgo Degli Albizi. It is available only in a limited edition run of 5 prints, one of which has been sold.
The atmospheric, sunbeam image, I have to admit to being a bit vague about its location. It is a highly regarding image but again only available in a limited edition run of 5 prints. Both available for £150 mounted but unframed. Please contact direct.
Limited to just 24 numbered boxes the Folio Presentation box is a bargain at just £100. For this you receive 24 prints (A4 size) plus a set of cards showing the location of each door, a little statement about the wine doors and, linking these historical remnants to the modern age, GPS coordinates.
Available to order direct
Many thanks to those you visited my little pop-up exhibition in St. Peter’s Church, Wallingford.
For those who didn’t make it to the exhibition the images that were displayed are shown here. Plus those that were available as a free postcard. Prints are available to order from PicFair.
A few revised words that comprise the exhibitions ‘artist statement’ for display next weekend.
The final preparations are completed for the exhibition. Easels are ‘rustically’ painted, all the prints are mounted on card and the big two (the anchor/statement) photos have arrived. Wine will be served from 6PM on the Saturday… some interview slots for the Saturday morning, private showing, are still available.
The final edit of the photos is done. Those destined for the limited edition folio presentation box have also been finalised, mapped and recorded on the accompanying info sheets.
Work on the Easter Weekend exhibition is now underway with display issues to be resolved as the venue, an historic church, is protected building and cant be damaged in any form. Details on the Wine Doors of Florence page.
While the Florence project takes its own slow time in reaching completion other projects have been occupying my time over the last couple of months. One was a series of test shoots for a small bakery enterprise When Life Brings You Lemons.
Work is progressing rather slower than I hoped with the Wine Doors project. But as things grind along I managed to construct this little video short, a teaser of sorts.
Been back a week from a trip to Florence with a day in Rome tacked on the end. Highly productive photography-wise with a new infusion of images for the forthcoming major project plus a few extras, taken just for pleasure.
The sunrise was a disappointment. Barely a whisper of dusty pink lined a few clouds; the breeze quickly bringing in a heavy cloud layer that obscured any hope of some dazzling light. I sat on the bench above the pond and waited. A pair of Red Kites swirled overhead, a cow and her large calf sauntered past in the field below and the breeze stirred the canopy above. A squirrel noisily ran up and down a fir tree to my left; in the quiet of the morning their scampering sounded unusually loud. But the light just went from dull to boringly flat and unexciting.
I had vague ideas of trying to capture some movement in the trees; but nothing really worked. I’d the wide angle in the bag, a rarely used lens, took a few lacklustre images with it but nothing worth keeping. The pond itself is little more than a stretch of mud, fallen branches and a tin can dot its surface. Then I thought of Helen Sear’s pond image, got totally dejected, so wandered off home for a bacon sandwich.